Instantly, the still frame appears as a connected clip at the position of the playhead in the Timeline. (You could also use the Edit menu, but making sure a playhead or skimmer doesn’t move out of position becomes trickier.) Next, put your playhead, or skimmer, on the frame in the Event Browser that you want to freeze. Still frames created from the Event Browser are even more flexible.įirst, put your playhead in the Timeline where you want the freeze frame to appear. Once the still image is created, you can trim it, add effects, or do anything else with it that you can do with a clip except, that is, change its speed. You can change this in the Editing tab of Final Cut Pro > Preferences by adjusting the Still Images setting. NOTE: All freeze frames default to a four-second duration. (I’ve highlighted it here so you can see it.) Instantly, a new clip is inserted at the position of the playhead into the Primary Storyline: a four-second freeze frame. To create a still frame in the Timeline, put the playhead on the frame you want to freeze.Ĭhoose Edit > Add Freeze Frame, or type Option+F. We can create still frames in the Event Browser or the Timeline. Also, freeze frames can be moved anywhere in a project, while Hold frames are trapped inside the clip from which they were created. Hold frames have a built-in ease-in/ease-out speed transition that often distracts from the actual freeze itself. The benefit to still frames is that, unlike Hold frames, they just stop. (These are also called “freeze frames,” I use these two terms interchangeably.) In this Final Cut Pro training, we will look at how to create and export still frames, which changed with the 10.0.6 update to Final Cut Pro X.
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